A new field
of research emerging out of neuroscience and art is
neuroaesthetics. According to the International Network for Neuroaesthetics, “The
main objective of neuroaesthetics is to characterize the neurobiological
foundations and evolutionary history of the cognitive and effective processes
involved in aesthetic experiences and artistic and other creative activities”.
Although neuroaesthetics is a fairly new field of research, its recent expansion owes itself to researchers who have used
differing methods to study psychological aesthetics and neuroscience together.
![]() |
| (Figure 1 Autistic Artist Stephen Wiltshire on his Third Day of Drawing the New York Skyline from Memory.) |
Some researchers
of neuroaesthetics prefer to study how one possesses the ability to create and
interpret art by researching the link between specific brain areas and artistic
activity. One common approach for these researchers is through the study the
aesthetic experience of individuals with neural disorders and how they produce
and appreciate art. For example, Stephen Wiltshire, and Autistic Savant, is
called the “Human Camera” because of his ability to replicate landscapes in his
drawings. By studying patients like Wiltshire, researchers will be able to
better understand the areas of the brain responsible for capturing the essence
of art.
![]() |
| (Figure 2 Tracy Walker's Illustration of Michelangelo's Expulsion from Paradise.) |
Other
researchers, however, investigate the cause of aesthetic enjoyment by using
brain-imaging techniques, including TMS and fMRI. For example, researcher David
Freedberg performed a study that asked ten subjects to examine the wrist detail
in Michelangelo’s Expulsion from Paradise
painting. After looking at the brain images, Freedberg found the primary motor
cortex that controlled the observer’s wrist became excited, leading Freedberg
to determine that just the sight of the wrist activated the observer’s muscle.
![]() |
| (Figure 3 Leonardo Da Vinci's Mona Lisa.) |
Lastly, several
researchers believe that over the centuries artists have devised techniques to make
their paintings appealing by engaging certain neural processes of the observers. For example, one famous painting that stimulates
the brain is the Mona Lisa by Leonardo Da Vinci. What makes the Mona Lisa such
a famous painting is the beautiful yet complicated feeling that its observers
are left with. In order to achieve this type of aesthetic experience, Da Vinci brings
attention to the paintings smile by manipulating the observer’s visual
shortcomings.
Although neuroaesthetics
can certainly help us better understand how and why we perceive art, some
neuroscientists believe that it may never be fully understood. Vilayanur Ramachandran
states that, “We have barely scratched the surface…the quintessence of art, and
of genius, still eludes us—and may elude us forever”.
Works Cited
Cara, Maria. "Neuroscience & Art: Margaret Livingstone Explains How Artists Take Advantage Of Human Visual Processing." . N.p., 07 Jan 2013. Web. 17 Nov 2013. <http://www.huffingtonpost.com/2013/01/07/neuroscience-art-margaret-livingstone_n_2339429.html>.
Figure 1. Wiltshire, Stephen. Sensation: Autistic artist Stephen Wiltshire on his third day of drawing the New York skyline from memory. 2009. Photograph. Mail OnlineWeb. 17 Nov 2013. <http://i.dailymail.co.uk/i/pix/2009/10/29/article-1223790-07013122000005DC-358_964x499.jpg>.
Figure 2. Walker, Tracy. Illustration of Michelangelo's Expulsion from Paradise.. 2012. Photograph. Smithsonian.comWeb. 17 Nov 2013. <http://media.smithsonianmag.com/images/Beauty-Hard-Wired-for-Art-631.jpg>.
Figure 3. Mona Lisa. 2011. Photograph. Twilight LanguageWeb. 17 Nov 2013. <https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9RMGu1Q_HNJCM0nLKbD_vQ1u3ZaMvJf3rQ51DM8oG34Y3ZJiLAK-tndTTFl5mRJvzvhWBbUYzAPnxX_FTza63iomNO3vvQ-xdrb89gFraEuokkU0Udijheo6QY0IwWeIAYpaV8oXa7liu/s320/Mona Lisa.jpg>.
Neal, Adam. "Extraordinary Piece of ASS: Acquired Savant Syndrome." Psychology Tomorrow Magazine . PSYCHOLOGY TOMORROW MAGAZINE, 09 Apr 2013. Web. 17 Nov 2013. <http://www.psychologytomorrowmagazine.com/adamnealextraordinary-piece-of-ass-acquired-savant-syndrome/>.
"Neuroaesthetics." International Network for Neuroaesthetics. The Word Press.com . Web. 17 Nov 2013. <http://neuroaesthetics.net/neuroaesthetics/>.
Tucker, Abigail. "How Does the Brain Process Art?."Smithsonian.com. Smithsonian, n.d. Web. 17 Nov 2013. <http://www.smithsonianmag.com/science-nature/how-does-the-brain-process-art-174844711.html>.
Vesna, Victoria. “CoLE.” CoLE. N.p.. Web. 17 Nov 2013.<https://cole2.uconline.edu/courses/63226/wiki/unit-7-view?module_item_id=970446>.



Unfamiliar with the concept of neuroaesthetics, I found your entry very interesting. The concept of monitoring one’s ability to create or interpret art is intriguing. At first thought, I would have had no idea in where to even start to quantify such a subjective field, I just thought some were born with it, other were not. However, when put in terms of brain activity it actually makes a lot of sense in how we can measure artistic activity.
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